line lineline line line line line line line line lineline
  • Ceramic sculptures
  • Synthetic Glazed Polymer cement
    1000mm x 550mm x 620mm

    Reinterpreting the sacrifice and iconic symbols of the Anzac legend in the battlefields of Europe, this soldier hero is surrounded by the remembrance poppies that delight and caress. His sacrifice is great, and the road to dreams is full of dangers. This friend of Dorothy lies alone in the deadly poppy field. Obvious references to Berninis ‘The Ecstasy of St Theresa’, this sculpture plays with preconceptions . Notions of the dying soldier, contemporary storytelling and the eroticism of an Australian icon are recontextualized and explored in a new sculpture by William Eicholtz.
  • Synthetic Glazed cast urethane
    830mm x 360mm x 260mm

    In the wake of the hurricanes devastation, a romantic hero strides through baroque waters to rescue his inheritance. In a camp retelling of disaster, the aftermath is an orgy of destruction and glamorous and sexy heroism. This image has nothing to do with gritty reality, but instead the ironic notions of mocking death and turning disaster into playthings. The hero becomes the candelabra of the title, merely a table ornament without function, as he struggles with his charge. Even the chairs participate with their legs in the air, bottoms exposed and conjoined in suggestive ways in this Orgy of Carnage.
  • Synthetic glazed cast urethane
    290mm x 220mm x 250mm

    A Swarovski ember sparkles amid the cloud of smoke as this sultry angel reclines in a sugarbowl couch of his own making.
  • Synthetic Glazed cast urethane
    400mm x 150mm x 150mm
    A garland is abandoned in the hurricanes wake.
  • Installation at RMIT University for ‘Shelter-On Kindness’ 2009
    Melbourne International Arts Festival
    Foam and Paint and lights
    3500mm x 1400mm x 750mm, 2 pieces
  • Polymer Cement and Swarovski Rhinestones
    600 x 250 x 200 mm

    Finalist in 2007 Woollahra Small Sculpture Exhibition.
    Perched atop his winter stockpile, what can ever shake this merino’s position. Perched atop his winter stockpile, what can ever shake this merino’s position.
  • Fibreglass and faux marble
    Shepherd and sheep 1500 x 600 x 900 mm
    Sheep 700 x 450 mm dia.

    A faux bronze shepherd tends his bejewelled flock. An ornate pastoral fantasy where convenient marble leaves play modest games, and “sheep may safely graze”
  • Synthetic marble
    350mm x 120mm x 130mm
  • Polymer Cement
    350mm x 270mm x 270mm
  • many unique versions
    Modelling paste, Rhinestones and silverware
  • Fibreglass
    1700mm x 550mm x 400mm
  • Synthetic glazed polymer cement
    1300mm x 750mm x 450mm
  • Glazed Porcelain and Swarovski Rhinestones
    350mm x 270mm x 140mm
    Edition of 20 pairs
  • Porcelain Busts, Swarovski Rhinestones
    400mm x 130mm wide each
  • Polymer Cement
    4200mm x 255mm x 60mm each
    Four Seasons Follies are architectural decorative wall vents. They contain figures that romp and tumble with coquettish abandon over rococo furniture and play with typically European symbols of the passing seasons. Each suggestively fingers his accompanying furniture, completely oblivious that their sole purpose is to regulate airflow and prevent mildew. The set of four follies may be used for ventilation purposes.